In a plethora of works more or less directly related with the armed conflict, a suffocating as much as fertile leitmotiv of Colombia’s cinema, Siembra is a breath of fresh and much-needed air. Co-directed by Ángela Osorio and Santiago Lozano, it touches upon a particularly delicate aspect of the country’s internal warfare – and does it with a humane and original touch that makes it stand out as a memorable work of its kind.
Osorio and Lozano set their film in a slum in the outskirts of a Colombian big city. We do not know the city’s name, because it’s the sort of story that needs no specific place to be credible, and which Colombia knows all too well. Turco is a farmer from Colombia’s Pacific coast who has been forced to leave home because of the war, but dreams of returning, until his son’s death will force him to abandon his hopes and roam a city trying to give him a proper burial. He is one of the 6.4 million Colombians the armed conflict has forced to abandon their dwelling: all he’s ever asked for is to be buried under a bread tree, and for his family to be buried next to him when the time will come.
Siembra could have easily turned into a petty fetishization of Colombia’s internally displaced people. But it does not. El Turco’s universe is treated with a compassionate touch which pays justice to the plight of a farmer who only wishes to cultivate his land. But the land is miles and miles away, and as his neighbours warn him, “the owners of your world already took it away from you, your land is someone else’s now”. As time goes by and the drama unfolds it is the hope to have his plot back that fills the void a son’s death has left behind. The earth, in some fundamental sense, becomes a daughter whose memory can only be evoked through the traditional chants of the Colombian Pacific.
Osorio and Lozano handpicked non professional actors with years of experience as musicians. And Siembra is a profoundly musical film. It is music (and dance) which offer Turco’s son the chance to gain the respect of his peers, and it is music (and litanies) which are used to accompany his journey to the otherworld. It is not just Turco’s plight which is respected, but his culture and the cultural heritage of his homeland.
Premiered at Locarno’s 2015 Film Festival, where it won the Independent Critics Boccalino Award for best direction, Siembra won the Jury’s Special Award at Cartagena’s 56th International Film Festival. A much-deserved recognition for a film that touches upon one of Colombia’s greatest tragedies without turning it into a spectacle, but into an opportunity to reflect on the magnitude of a never-ending war.