Posts Tagged ‘Cinematography’

There aren’t many films with the ambition to shoot in one single take (or something close to it). Birdman from last year attempted it, as well as Gaspar Noe’s hallucinatory Enter The Void. If we go further back, we have films like Hitchcock’s Rope, ingeniously framed in just one room, and Angsta cult Austrian thriller seen only through the eyes of a deranged psychopath.

Victoria is the latest addition to this distinctive genre. Set over just one night fateful night in Berlin, young Spanish waitress Victoria (Laia Costa) dances the night away in a smoky, industrial bunker club. We get the first glimpse of her character: she heads to the bar alone and chirpily tries to make conversation with the apathetic barman. Already we see that she has a lust for life and a willingness to trust.

She encounters four drunk young men, ‘proper’ Berliners, foolishly attempting to get into the club. Outside she sees them again, and they offer her a lift in ‘their’ car. Sonne (Frederick Lau) is the cheeky ringleader of the gang, quickly charming Victoria. Alongside him are his raffish mates; Boxer, the skinhead, volatile one, Fub, the goofy, weedy one, and Blinker, the Vincent Gallo lookalike.

Victoria, sensing an opportunity for fun and unpredictability to spark up her somewhat mundane existence, joins them in some minor japes. The local snoozing shopkeeper is relieved of a few German beers, and the group break into a rooftop to while away the night. Back at the coffee shop where she works, Victoria demonstrates her ability on the piano to the dumbstruck Sonne. She is a failed pianist, wanting some freedom and fun after years of study and discipline.

The film takes a ominous turn midway through, but Schipper has established the characters and the atmosphere securely enough for it to feel authentic. There is a current of tense energy running throughout every scene; how much can she trust these guys? What it is that they want? Is there an ulterior motive? The performances are all very good, if a little stereotypical at times. To sustain a level of authenticity over one long take is quite incredible.

The film that it most resembles is the aforementioned Enter The Void. The cinematography, while less floaty and elegant, shines a similarly seedy and effervescent glow on urban nightlife, capturing all the edginess that city life provides. It is a very good Berlin film. Recently we saw a film about the French house scene, Eden, which ultimately felt quite safe and sanitised, but this film doesn’t suffer from the same problem. It is fantastically gripping and almost unbearably tense.

Advertisements

Read Full Post »

For our latest featured short we’re glad to share this year’s Sci-Fi-London 48 hour challenge winner Interlude – made by a creative team called Starcrust – led by London based Cypriot director Savvas Stavrou and produced by Jo Michael. The SFL 48 hour challenge is a competition of exceptionally high quality and it takes no shortage of creativity and technical skill to compete let alone win.

Heading up the other departments are writer Nathan D’Arcy Roberts, Cinematographer Edgar Dubrovskiy, Production Designer Daniel Draper, Editor Robbie Gibbon, Sound Designer Jordan Laughlin and Composer Angus MacRae.

The film brings together the elements to tell a succinct and emotionally engaging story of an inventor attempting to bring his young daughter out of a coma (with the aid of a super cool mechanical snail), whereupon he is interrupted by a visiting civil servant. Stavrou creates an authentic and intense scenario between actors Brian Tynan and Ruby Thomas, laying the groundwork for a bold and troubling conclusion.

Read Full Post »

%d bloggers like this: